North American analogues in general: Difference between revisions
From International Robin Hood Bibliography
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{{#vardefine:topicCategory|North American analogues}}{{#vardefine:topicPath|Analogues#northamerican}}{{#vardefine:subjectCategory|Analogues-topics}}{{#vardefine:subjectPath|Analogues}}<div class="no-img"><p id="byline">By Henrik Thiil Nielsen, 2014-08-21. Revised by {{#realname:{{REVISIONUSER}}}}, {{REVISIONYEAR}}-{{REVISIONMONTH}}-{{REVISIONDAY2}}.</p> | |||
== Background == | == Background == | ||
* {{:Lawrence, William Witherle 1911a}}; pp. 171-75: English ballads arose in a social context that had many similarities with that of the North American cowboy songs, a view criticized by Louise Pound, see below. | * {{:Lawrence, William Witherle 1911a}}; pp. 171-75: English ballads arose in a social context that had many similarities with that of the North American cowboy songs, a view criticized by Louise Pound, see below. | ||
Revision as of 02:01, 22 September 2020
By Henrik Thiil Nielsen, 2014-08-21. Revised by Henrik Thiil Nielsen, 2020-09-22.
Background
- Lawrence, William Witherle. Medieval Story and the Beginnings of the Social Ideals of English-Speaking People (New York, 1911); pp. 171-75: English ballads arose in a social context that had many similarities with that of the North American cowboy songs, a view criticized by Louise Pound, see below.
- Pound, Louise. 'The Southwestern Cowboy Songs and the English and Scottish Popular Ballads', Modern Philology, vol. XI (1913), pp. 195-207. Also see William Witherle Lawrence above.