North American analogues in general: Difference between revisions

From International Robin Hood Bibliography
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<p id="byline">{{#vardefine:topicCategory|North American analogues}}{{#vardefine:topicPath|Analogues#northamerican}}{{#vardefine:subjectCategory|Analogues-topics}}{{#vardefine:subjectPath|Analogues}}By Henrik Thiil Nielsen, 2014-08-21. Revised by {{#realname:{{REVISIONUSER}}}}, {{REVISIONYEAR}}-{{REVISIONMONTH}}-{{REVISIONDAY2}}.</p>
<p id="byline">{{#vardefine:topicCategory|North American analogues}}{{#vardefine:topicPath|Analogues#northamerican}}{{#vardefine:subjectCategory|Analogues-topics}}{{#vardefine:subjectPath|Analogues}}By Henrik Thiil Nielsen, 2014-08-21. Revised by {{#realname:{{REVISIONUSER}}}}, {{REVISIONYEAR}}-{{REVISIONMONTH}}-{{REVISIONDAY2}}.</p><div class="no-img">
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== Background ==
== Background ==
* {{:Lawrence, William Witherle 1911a}}; pp. 171-75: English ballads arose in a social context that had many similarities with that of the North American cowboy songs, a view criticized by Louise Pound, see below.
* {{:Lawrence, William Witherle 1911a}}; pp. 171-75: English ballads arose in a social context that had many similarities with that of the North American cowboy songs, a view criticized by Louise Pound, see below.

Revision as of 03:21, 17 May 2020

By Henrik Thiil Nielsen, 2014-08-21. Revised by Henrik Thiil Nielsen, 2020-05-17.

Background