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65
65
Dame Laura Knight R.A
THE FAIRGROUND, PENZANCE
Estimate
400,000600,000
JUMP TO LOT
65
Dame Laura Knight R.A
THE FAIRGROUND, PENZANCE
Estimate
400,000600,000
JUMP TO LOT

Details & Cataloguing

European Art

|
New York

Dame Laura Knight R.A
1877-1970
THE FAIRGROUND, PENZANCE
signed Laura Knight (lower right) 
oil on canvas
55 by 74 3/4 in.
139.7 by 189.9 cm
Read Condition Report Saleroom Notice

We are grateful to Professor Kenneth McConkey for kindly preparing this catalogue entry. 

Provenance

John Hay, Esq. (by 1919)
Leger Galleries, London (by April 1974) 
Sale: Sotheby's, London, May 25, 1983, lot 65, illustrated
Acquired at the above sale

Exhibited

Liverpool, Walker Art Gallery, Autumn Exhibition, 1916, no. 978 (as The Fair)
Royal Glasgow Institute of the Fine Arts, 1919, no. 601 (lent by John Hay, Esq.) 

Literature

Caroline Fox, Dame Laura Knight, Oxford, 1988, p. 37 
Timothy Wilcox, "Laura and Harold Knight in the First World War," The Burlington Magazine, vol. CLVII, September 2015, p. 605

Catalogue Note

Around 1913, before she painted her monumental Self-Portrait with Nude (fig. 1), Laura Knight purchased a long red hand-knitted "cardigan" at a fair in Penzance. This celebrated garment, known as "The Cornish Scarlet", was worn by the artist and habitually handed out to models when a vivid color note was required for a composition. It features so prominently in the center of two versions of The Fairground, Penzance that it has been claimed that the figure wearing it is the artist – albeit a younger self.1 The fun fair in question was a regular event at Penzance in Cornwall.

Knight is likely to have been introduced to the idea of painting The Fairground, Penzance by her friend, Alfred James Munnings (see lots 67-68), who had been painting similar country fairs since the early years of the century. His reputation as a "hell-raiser"
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